The Wax Mask (M.D.C. - Maschera di cera)

The Wax Mask (M.D.C. - Maschera di cera)

Movie · 1997 · 9 people

The Wax Mask (Italian original title M.D.C. – Maschera di cera) is a 1997 French-Italian horror film. A Gothic horror with giallo elements, it moves along mystery and thriller lines and runs about 95 minutes. It is the directing debut of special effects artist Sergio Stivaletti. The screenplay is credited to Lucio Fulci, and the film was produced by Dario Argento.

The story is set in Rome, where a wax museum opens whose main attraction is a set of figures staging gruesome murder scenes. Shortly after the opening, people start to vanish while new figures appear in the museum, and the dark link between the two slowly comes to light. Romina Mondello, Robert Hossein and Riccardo Serventi Longhi play the leads, with Gabriella Giorgelli, Rosa Pianeta, Sonia Topazio, Massimo Vanni, Aldo Massasso and Elisabetta Rocchetti also in the cast.

The project's background is as well known as the film itself. In 1994 Argento decided to develop something new with Fulci, and the two settled on a remake of the 1953 film House of Wax. Pre-production ran longer than expected because Argento was busy with his own film The Stendhal Syndrome. When Fulci passed away in 1996, Argento brought in Stivaletti to direct, and Stivaletti rewrote the script to put special effects at the centre.

DirectorSergio Stivaletti
Production companyMFE - MediaForEurope

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Cast

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Gabriella Giorgelli Gabriella Giorgelli Actor · 85 years old Francesca Elisabetta Rocchetti Elisabetta Rocchetti Actor · 51 years old Madame's Girl Romina Mondello Robert Hossein Riccardo Serventi Longhi Rosa Pianeta Sonia Topazio Massimo Vanni Aldo Massasso

Through different eyes

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

This film is definitely not for families. It is about a wax museum full of figures re-enacting brutal murder scenes, and people who disappear. It has elements of gothic horror and bloody suspense. It is not suitable for children or teenagers; adults who like horror should watch it on their own.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

The story of The Wax Mask lives in the shadow of its off-screen story. Taking over after Fulci's death, Stivaletti, fittingly for a special-effects artist's debut, reworked the script to put the effects first, and the result is exactly what that choice suggests. The link between the wax figures and the disappearing people is carried by the lure of visual spectacle rather than by giallo's suspense construction. The atmosphere and craft deserve their due, but the mystery itself trails behind the spectacle. It lacks the coherence you would expect from a project that put Argento's and Fulci's names side by side; an interesting piece for those curious about effects work, not for those seeking the genre's best.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

The setup is good: a museum where people start disappearing as soon as it opens, and new figures appear every time. That is solid ground for tension. But rather than steadily ratcheting up the tension, the film leans on effects and atmosphere; curiosity comes to the fore more than fear. The gothic atmosphere and effects are interesting, yet anyone expecting a pace that pins you to your seat may find it a little lacking.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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