Vengeance (Joko - Invoca Dio... e muori)

Vengeance (Joko - Invoca Dio... e muori)

Movie · 1968 · 15 people

Antonio Margheriti directed and co-wrote Vengeance, a 1968 spaghetti western whose original title is Joko – Invoca Dio... e muori ("Joko, invoke God and die"). American money funded this Italian-West German co-production, which German-speaking audiences saw as Fünf blutige Stricke ("Five Bloody Ropes") and French audiences as Avec Django, la mort est là. In Brazil it first played as Joko Invoca Deus... e Mata and was reissued years later by Ocean Pictures do Brasil as Vingança.

Richard Harrison plays the outlaw Joko Barrett, who is after the five men who double-crossed him and his crew during a robbery. The death of his psychotic accomplice Mendoza (Claudio Camaso) leaves him with some distraction in the company of a travelling woman (Špela Rozin). Still, he keeps pieces of the five ropes used to quarter his young recruit Richie (Alberto Dell'Acqua), and hands one back to each culprit before killing him.

The film is noted for its Gothic influences on the western; Mario Bava's biographer Leon Hunt described it as the western Bava might have made. Renato Savino produced and Carlo Savina composed the music. It is often counted among Margheriti's better efforts, though most commentators see it as a stepping stone toward his most accomplished western, And God Said to Cain (1970).

DirectorAntonio Margheriti

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Cast

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Richard Harrison Richard Harrison Film actor · 90 years old Jokko Barrat Alberto Dell'Acqua Alberto Dell'Acqua Actor · born 1938 Richie Claudio Volonté Špela Rozin Werner Pochath Paolo Gozlino Mariangela Giordano Luciano Pigozzi Luciano Bonanni Lucio De Santis Claudio Ruffini Giovanni Ivan Scratuglia Guido Lollobrigida Ignazio Spalla Alexander Allerson

Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

A betrayed outlaw, five men and five pieces of rope: it is hard to find a cleaner setup for a revenge western. Knowing exactly who each showdown is aimed at gives the film a solid spine, and the tension always locks onto the next name on the list. The same structure risks turning repetitive, though, and the stretches on the road between duels are where the pace sags. Still a solid pick for western fans.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

What lifts this above an ordinary spaghetti western is its urge to carry Gothic darkness into the genre's dusty world. Leon Hunt's description of it as the western Bava might have made is apt: handing each culprit a piece of rope before killing him is a strong visual motif that turns revenge into something close to ritual. Yet most commentators are right to see it as a stepping stone toward Margheriti's And God Said to Cain; here the Gothic touches have not yet fused into a coherent style and sit like ornaments beside the genre conventions. As it stands, it is a worthwhile stop for anyone curious less about where the director arrived than how he got there.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

This is a revenge western, and violence sits right at the centre of it. The whole story starts from a young man being torn apart with ropes, and every reckoning after that ends in a death. It is not one to watch with children or with older relatives who are sensitive to violence. Fine for grown-up western fans; for a family evening, pick something else.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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