Fantômas

Fantômas

Movie · 1964 · 6 people

Opening a trilogy about the same villain, the 1964 French-Italian crime comedy Fantômas was directed by André Hunebelle. Made by Gaumont, it was France's answer to the James Bond craze; the screenplay by Jean Halain and Pierre Foucaud draws on the novels of Pierre Souvestre and Marcel Allain. It opened on 4 November 1964 and drew about 4.5 million viewers in France and, once released there in 1967, more than 45 million in the Soviet Union; it also did well across Europe, in Japan and in the United States.

Jean Marais plays both the criminal mastermind Fantômas and his arch-enemy, the journalist Jérôme Fandor. Louis de Funès, as Commissaire Paul Juve, carries the comedy: earnest but forever outclassed, he becomes a figure very unlike his literary counterpart. Mylène Demongeot plays Fandor's girlfriend Hélène Gurn, with Robert Dalban also in the cast.

Rather than follow Louis Feuillade's 1913 silent serial faithfully, Hunebelle built an action comedy close to parody; Allain sued over the production and died before the case ended. The hit led to Fantômas se déchaîne (1965) and Fantômas contre Scotland Yard (1967).

DirectorAndré Hunebelle
Production companyGaumont

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Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Call it France's answer to the James Bond craze and expectations go up, and Fantômas meets them with plenty of fun. Jean Marais playing both the criminal genius and the journalist who is his arch-enemy is a clever trick. Fantômas slipping away every single time keeps the chase lively. Anyone expecting real suspense will be wrong, though; this is an action comedy close to parody, and it moves at a 1964 pace.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

A fun old film to watch as a family. The commissaire played by Louis de Funès, earnest but always outwitted, will make both children and grandparents laugh. The chase between the villain and those trying to catch him entertains more than it frightens. Because it needs subtitles or dubbing, very young children may struggle; kids past primary school will manage more easily. If you enjoy it, there are sequels too.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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