Hidden Faces (Saklı Yüzler)

Hidden Faces (Saklı Yüzler) (translated)

Movie · 2007 · 8 people

Handan İpekçi, who had previously drawn attention with Büyük Adam Küçük Aşk, wrote and directed Saklı Yüzler (Hidden Faces), a 2007 Turkish drama. Released in Turkish cinemas on 23 November 2007 and running roughly 127 minutes, the film took İpekçi years to complete because of financial difficulties, and it continues her line of socially engaged filmmaking by confronting the reality of so-called honor killings.

The story unfolds in a small Anatolian village where customs and tradition rule everyday life. Zühre, a young woman of the village, could not marry the man she loves because his family was unable to raise the bride price, and she becomes pregnant by him. When this is discovered, the village elders convene and decree that she must be killed together with her baby after giving birth, leaving the men of her own household — her father and her brother — to carry out the sentence.

Unable to bring himself to kill his daughter, the father takes his own life, while Zühre, helped by the local prosecutor, is made to appear dead and starts a new life under another identity. The cast features Füsun Demirel, Şenay Aydın, Muhammed Cangören, Berk Hakman, Açelya Akkoyun, Necmettin Çobanoğlu and İştar Gökseven.

DirectorHandan İpekçi
Hidden Faces (Saklı Yüzler) Hidden Faces (Saklı Yüzler) Hidden Faces (Saklı Yüzler)

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Cast

Also in the cast: İştar Gökseven

Through different eyes

History & Society Lens Asks about the period, the social background and what the work reflects.

Saklı Yüzler puts honour killings squarely at its centre, turning to a social wound that has still not healed. A young woman unable to marry because the bride price could not be raised, a verdict handed down by the village elders, and the burden of carrying it out placed on the men of her household: the film shows how such violence works as a collective mechanism rather than an individual act. The father's inability to harm his daughter is an important detail, a reminder that this order also crushes the men within it. The support of the town prosecutor suggests the law can offer a way out. Handan İpekçi continues her socially engaged cinema here, building the subject around a human story.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

Saklı Yüzler tells an important story, but think carefully before watching it with family. It deals with very heavy themes: an honour killing, a pregnant young woman condemned to death and a father's suicide. It is definitely not suitable for children. With high-school-age teens it can work, provided you talk it through afterwards. At over two hours, it is also a heavy watch.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Written and directed by Handan İpekçi, Saklı Yüzler took a long time to complete because of financial difficulties, and that persistence shows in the film's commitment to its subject. The script draws a clear dramatic arc from the village's verdict through the father's despair to Zühre clinging to life under a new identity. Yet the roughly 127 minutes grow heavy at times, even with such intense material, and the narrative does not always open enough new layers to earn that length. The sensitivity you would expect from the director of Büyük Adam Küçük Aşk is here, but this is a film that relies on the weight of its subject more than on formal daring. Still, its resolve to treat honour violence without sensationalism earns it a respectable place in its genre.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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