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Muhammed Cangören
Photo: Wikimedia Commons · Kim Seslendirdi · CC BY-SA 4.0

Muhammed Cangören

Actor · 75 years old

Don Çiçi in the TV series Yeraltı

Profile

Age75 years old
Birth dateJuly 1, 1951
BirthplaceMaymana
ProfessionActor
Zodiac signCancer

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Muhammed Cangören — Biography

Muhammed Cangören is an actor of Afghan Turkmen origin, remembered in Turkish television above all as Abuzer Kömürcü in Kurtlar Vadisi. Many viewers never learned his name yet took the character to heart, and fan pages dedicated to Abuzer Kömürcü are still active. In February 2026 he joined the series Yeraltı as Rıfat Hanoğlu (Donçiçi), reuniting with his Kurtlar Vadisi on-screen son Sefa Zengin.

He took up theatre in middle school, began working for Afghan television in 1969 and appeared in some twenty-five to thirty television films. In 1982 he came to Turkey, performed in children's theatre in Gaziantep and learned Turkish there. His series career started in 1998 with Bekir Ağa in İkinci Bahar, followed by Nedim in Üvey Baba and Kara Kahya in Berivan. In 2003, guided by Osman Sınav, he joined Kurtlar Vadisi. Later roles included Sıtkı Seyitoğlu in Sakarya Fırat, Hamdi Baba in Eşkıya Dünyaya Hükümdar Olmaz, Reşit Fazlullah in Çukur and İhsan in Deha.

In cinema he appeared in films such as Hiçbiryerde, Rıza, Saklı Yüzler and Atçalı Kel Mehmet, and in Ben Affleck's Argo he played an angry Iranian shopkeeper, speaking Persian.

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Muhammed Cangören

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You can pick up to 3 reactions.

Their work through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Start Muhammed Cangören with Abuzer Kömürcü in Kurtlar Vadisi: a character viewers took to heart, found in the hard world of a mafia series. You can carry on along the same line with Hamdi Korkmaz in Eşkıya Dünyaya Hükümdar Olmaz and Reşit Feyzullah in Çukur. All three sit on the crime and action line, so they are the right place if you want pace.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

For those who know Muhammed Cangören only as Abuzer Kömürcü I would suggest Hiçbiryerde: as Şeyhmus in Tayfun Pirselimoğlu's first film he steps into a cinema far from the noise of series. Derviş Zaim's Çamur and Ziya Öztan's period film Abdülhamid Düşerken look in the same direction. In my view, beyond the one-note warmth of television, these films measure him on a different scale.

History & Society Lens Asks about the period, the social background and what the work reflects.

Muhammed Cangören's film roles keep rebuilding an elder figure: Mehmet Amca in Saklı Yüzler, Grandfather in For a Moment, Kurdish Grandpa in Kara Köpekler Havlarken. This older-generation figure is his main social type on film, but repeating the same mould makes it harder, in my view, to see other sides of him.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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