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Aydemir Akbaş

Aydemir Akbaş

Actor · died at 88

Profile

Age at death88
Birth dateFebruary 25, 1936
BirthplaceIstanbul
DiedAugust 16, 2024
ProfessionActor, Screenwriter
Zodiac signPisces

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Aydemir Akbaş — Biography

Aydemir Akbaş became known first as a journalist and sports columnist after graduating from Galatasaray High School, then built a long career on stage and screen as an actor, screenwriter and director. Born in Feriköy, Istanbul, to an Albanian father and a mother from Sürmene, he entered theatre under Altan Erbulak's guidance, working alongside Gülriz Sururi, Nisa Serezli and Ali Poyrazoğlu and directing a number of plays himself.

He moved into film in 1964 with Atıf Yılmaz's Keşanlı Ali Destanı and appeared in several Yılmaz Güney productions. He became widely recognised for the erotic comedies that helped keep Yeşilçam's cinemas running in the late 1970s, but never abandoned drama and comedy; later he took the sidekick role in İbrahim Tatlıses's films and contributed to their scripts. He acted in more than a hundred films, directed eight of them, wrote dozens of screenplays and appeared in close to thirty stage plays.

In the 2000s he appeared in films such as Avrupalı and The Shadowless, but is remembered above all as Sabri in the Kolpaçino comedies opposite Şafak Sezer. He married the actress Beyhan Benek in 1964, a relationship that survived two divorces across three marriages. He died in Istanbul in August 2024, aged 88, after being hospitalised at home; sources give the date as either the 16th or the 17th. Benek herself died two years later, in July 2026.

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Their work through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

To see the serious side of Aydemir Akbaş's Yeşilçam work, look to Ömer Lütfi Akad's films: Abuzer in Hudutların Kanunu, Cemil in Vesikalı Yarim. Both are black-and-white works that carry the measure of the socially realist period. A place in Akad's world shows, in my view, that Akbaş is not only a comic actor.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Aydemir Akbaş's late work sits at two poles. Sabri in the Kolpaçino series is the same comic side figure from film to film, and Kolpaçino 3. Devre is noted as weak by critics. Dede Musa in Gölgesizler is a very different tone, in Ümit Ünal's village drama. In my view Gölgesizler is the more interesting beside the repetition of Sabri.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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