Kızılırmak

Kızılırmak

Movie · 1946 · 7 people

Muhsin Ertuğrul directed the black-and-white Turkish film Kızılırmak in 1946. The screenplay is by Nâzım Hikmet and the producer is Fuat Rutkay; Doğan Film and Halk Film made it together. A sentimental village film, it is also known as Kızılırmak Karakoyun.

It is set among nomads of Anatolia. Hatçe (Nevin Seval), daughter of the tribal chief Hüseyin Ağa, finds consolation from her stepmother Zehra's cruelty in the honest love of the shepherd Selim (Hadi Hün). Zehra desires Selim too, and when he refuses her she plots with Şaban to separate the young pair. When the village philosopher Ferhat intervenes, the marriage is tied to a hard condition: if Selim can lead sheep fed on salt for three days across the river without letting them drink, he may have Hatçe. With the tunes of his flute he leads the whole flock, stubborn Karakoyun included, across. Zehra and Şaban, anxious about Hatçe's inheritance, scheme further, pressing the indebted Hüseyin Ağa through Ali Ağa, and the story heads toward a dramatic wedding day at the river bridge.

The cast also includes Behzat Butak, Vasfi Rıza Zobu, Mahmut Moralı, Mümtaz Ener, Haluk Sarıcı, Cahide Sonku, İsmail Hakkı Dümbüllü, Muammer Karaca and Şaziye Moral. The cinematographer is Yoakim Filmerides, with songs by Mefharet Yıldırım and Necmi Rıza Ahıskan.

DirectorMuhsin Ertuğrul
Production companyDoğan Film, Halk Film

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Cast

Also in the cast: Behzat Butak, Vasfi Rıza Zobu, Mahmut Moralı, Haluk Sarıcı

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Kızılırmak is a village tale from the early days of Turkish cinema, made by Muhsin Ertuğrul. That the screenplay is by Nâzım Hikmet is a treasure in itself. The story follows a familiar mould: a cruel stepmother, an honest shepherd, two young people trying to be together. Yet Selim leading his flock across the river with the tunes of his flute is a lovely touch, full of the poetry of our folk tales. The songs add their own charm. It may feel slow to modern eyes, but to a patient viewer it carries the voice of a lost world.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Watching Kızılırmak today means seeing both the strengths and the limits of Turkish cinema of its time. The acting is theatrical in the manner of the period, leaning on broad gestures; scenes are often staged from a fixed vantage, and the camera rarely contributes to the storytelling. The melodramatic moulds are obvious too: the villains are villains from the start, the good are flawless. Even so, Nâzım Hikmet's script uses the structure of the folk tale with real skill; a trial like leading salt-fed sheep across a river without letting them drink works solidly as the story's dramatic spine. Yoakim Filmerides's black-and-white photography is striking within the means of the day. A valuable document for anyone curious about film history, a test of patience for the casual viewer.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

An old black-and-white village film, so children may find it slow at first. But the story is simple and clear: two young people in love, and a cold-hearted stepmother getting in the way. The flute-playing shepherd and the flock crossing the river may catch the little ones' interest too. The stepmother's cruelty and scheming might upset sensitive kids a little. A nice pick for grandparents and curious teenagers.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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