Nazmi Kırık

Nazmi Kırık

Actor · born 1976

Nadim Baybars in the series Uzak Şehir

Profile

Birth date1976
BirthplaceDiyarbakır
ProfessionActor, Stage actor

Filmography / Projects

Nazmi Kırık — Biography

Nazmi Kırık is an actor of Kurdish descent who moved from the stage to cinema and works in both Turkey and Germany. He is known for films shown at major festivals and, in recent years, for playing Nadim Baybars in the series Uzak Şehir. In 2025 he won the Best Actor award at the 44th Istanbul Film Festival.

He started with theatre and dance work at the Mesopotamia Culture Center in Diyarbakır, continued at its Istanbul branch from 1996, and in 2003 helped found the Seyr-i Mesel Sanat Atölyesi with a group of friends. His first screen role was in Yeşim Ustaoğlu's Güneşe Yolculuk (1999), which returned from the Berlin Film Festival with awards. It was followed by Yüksel Yavuz's Küçük Özgürlük (2003), shown in the Directors' Fortnight at Cannes, Hiner Saleem's Kilometer Zero (2005), Organize İşler, Beynelmilel and Pandora'nın Kutusu. In 2006 his short film Kimlik competed at the Antalya Golden Orange festival.

In the 2010s he appeared in Letter to the King, Mucize and the German Tatort: Zorn Gottes, and has since combined television and cinema in Siyah İnci, Çukur, Ya Çok Seversen, Yalı Çapkını (as Tayyar) and Elaha.

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Their work through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

The solid core of Nazmi Kırık's work lies in films by directors who build a world of their own: Güneşe Yolculuk and Pandora'nın Kutusu with Yeşim Ustaoğlu, Kilomètre Zéro with Hiner Saleem. That these directors keep calling him back suggests, in my view, that this cinema trusts him, and this vein is more distinctive than his place in popular comedies and series.

History & Society Lens Asks about the period, the social background and what the work reflects.

A father to a young Kurdish-German woman in Elaha, a refugee in Kar Yağmadan Önce: these two parts place Nazmi Kırık in stories of borders, migration and the expectations passed between generations. Beynelmilel, about a town after the 12 September coup, fits the same pattern. In my view he is an actor that films reach for when they want to show private drama inside social pressure.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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