Suzan Kardeş
Photo: Wikimedia Commons · Sakhalinio · CC BY-SA 4.0

Suzan Kardeş

Actor · 66 years old

Profile

Age66 years old
Birth dateApril 15, 1960
BirthplaceKosovo
ProfessionActor, Musician, Make-up artist
Zodiac signAries

Filmography / Projects

Suzan Kardeş — Biography

Suzan Kardeş was born on April 15, 1960, in Mitrovica, Kosovo, the fourth of five children in a Kosovo Turkish family; her family moved to Istanbul in 1968, and she began an apprenticeship at a beauty salon at thirteen. After gaining experience at the Şan Theatre in 1983, she worked as a makeup artist on Hürriyet newspaper's photo-novels, and after meeting Sezen Aksu on the set of the photo-novel "Çalıkuşu," she did all of Aksu's stage and shoot makeup from 1985 onward. Following an accident in 1992, she stepped away from makeup for fourteen years, turning her home in Arnavutköy into a tavern called Bekriya and opening a meatball shop in Beyoğlu; she returned to makeup work in 1995 at the Beşiktaş Cultural Centre and worked with names such as Yılmaz Erdoğan, Demet Akbağ and Cem Yılmaz.

She first appeared on screen as both makeup artist and cast member, playing Mevlüde in Bir Demet Tiyatro; she went on to play Mefrika Hanım in Organize İşler, Fato Ana in Seksenler across two separate stretches (2012-2017 and 2019-2021), and Kükrek Kadriye in Çocuklar Duymasın. Drawing on the Rumelian folk songs she used to sing at Bekriya, she released her first album, also called Bekriya, in 2007 with Sezen Aksu's backing, and followed it with several more; she also co-authored a cookbook with her sister and fellow makeup artist, Neriman Kardeş. In 2026 she received the Golden Orange Film Festival's Cinema Labor Award and continued performing in concerts the same year.

Reactions

You can pick up to 3 reactions.

Their work through different eyes

History & Society Lens Asks about the period, the social background and what the work reflects.

Suzan Kardeş mostly stands inside the social fabric a story is about: Fato Ana in the 1980s neighbourhood of Seksenler, Mevhibe in the 1950s Beyoğlu of Kulüp, Melek in the Village Institutes drama Toprağın Çocukları. In my view these parts carry the texture of the neighbourhood and community woman; they make the story believable more than they drive it.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

Of Suzan Kardeş's work, the ones to watch together are Seksenler and Çocuklar Duymasın: family comedy and neighbourhood warmth, suitable for all ages. Seksenler is also a good chance for grandparents to tell children about the old days. Bergen is a film for grown-ups: it was pulled from cinemas in one district over its violent scenes.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

Comments