Prepare a Coffin! (Preparati la bara!)

Prepare a Coffin! (Preparati la bara!) (translated)

Movie · 1968 · 14 people

Preparati la bara! (“Prepare Your Coffin!”) is a 1968 Italian spaghetti Western, released abroad as Django, Prepare a Coffin and in some markets as Viva Django. Directed by Ferdinando Baldi, it brings back the gunslinger Franco Nero played in Sergio Corbucci’s Django. It runs about 91 minutes, and Baldi wrote the script with Franco Rossetti.

This time Django is played by Terence Hill, although the part was first meant to go to Nero again. Producer Manolo Bolognini had also produced Corbucci’s original film. Alongside Hill, the cast includes Horst Frank, George Eastman, José Torres, Pinuccio Ardia, Andrea Scotti, Luciano Rossi, Guido Lollobrigida, Alberto Dell’Acqua, Franco Balducci and Adriana Giuffrè.

The score has had a life of its own: a piece called “Last Man Standing” was sampled years later in Gnarls Barkley’s “Crazy”, and Nicola Di Bari sings the title song, “You’d Better Smile”. The film was shown in the spaghetti Western retrospective at the 64th Venice International Film Festival. In Germany it circulated as Django und die Bande der Gehenkten, Viva Django and Django – sein Haß ist tödlich, with a shortened, redubbed cut released as Joe, der Galgenvogel; in France it is known as Trinita, prépare ton cercueil !

DirectorFerdinando Baldi

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Cast

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George Eastman George Eastman Actor · died at 83 Lucas Alberto Dell'Acqua Alberto Dell'Acqua Actor · born 1938 Terence Hill Pinuccio Ardia Andrea Scotti Luciano Rossi Horst Frank Guido Lollobrigida Franco Balducci Adriana Giuffrè José Torres Lucio De Santis Remo De Angelis Spartaco Conversi

Also in the cast: Alberto Dell’Acqua

Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

The Django name, a gunslinger, a spaghetti western: a good starting point for fans of the genre. Seeing Terence Hill as this gunslinger is an interesting change too. The roughly ninety-minute running time keeps it tight. But comparison with the original Django is unavoidable, and this film never quite steps out of that shadow.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Preparati la bara! is a typical example of how a character turns into a brand after a successful film. The producer of Corbucci's Django rebuilding the same character with a different director and a different lead strains the continuity. Knowing the part was first meant for Franco Nero can make Terence Hill's take read, inevitably, like a stand-in. The film's most lasting legacy turned out to be its music: the sampling of a piece called Last Man Standing years later in Gnarls Barkley's Crazy proves the score has had a life independent of the film. Its selection for the spaghetti western retrospective in Venice confirms its place in genre history, but in my view it stands out more for genre craft than for originality.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film's adventures abroad show the market logic on which sixties Italian genre cinema ran. Circulating in Germany under at least four different titles, including a shortened and redubbed version, and in France under the Trinita name, shows the same film being repackaged in each country around whatever brand was popular at the time. Even the Django name works as a kind of commercial label. It reflects a period when audiences picked a film by a familiar hero or star rather than by its director. In my view the film says more about its era through this distribution story than through its own plot.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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