Malkoçoğlu Against the Kings (Malkoçoğlu Krallara Karşı)

Malkoçoğlu Against the Kings (Malkoçoğlu Krallara Karşı) (translated)

Movie · 1967 · 7 people

Malkoçoğlu Krallara Karşı (Malkoçoğlu Against the Kings) is a 1967 Turkish swashbuckler, mixing history and action. It was co-directed by Süreyya Duru and Remzi Jöntürk from a screenplay by Bülent Oran and Ayhan Başoğlu. Naci Duru produced it for Duru Film and Murat Film.

The story begins when Malkoçoğlu Ali Bey returns from the Morea campaign to find his village burned, and his wife and men killed. His son has been abducted. Ali Bey sets out with his companion Ejder to take revenge on Vlad the Impaler and rescue the boy. At a slave market he tries to free a young woman who turns out to be a princess, Yolanda. She is taken again, however, and Malkoçoğlu and Ejder are lured into a trap and imprisoned. Cüneyt Arkın plays Ali Bey, Yılmaz Köksal plays Ejder, Yıldırım Gencer plays Vlad Çepeş and Sezer Güvenirgil plays Princess Yolanda..

Part of the shooting took place at Mamure Castle in Anamur, and the director of photography was Mahmut Demir. During the scene of riding into the palace, Cüneyt Arkın's hand is said to have been severed at the wrist, and his former medical school professor, Halit Ziya Konuralp, sewed it back.

DirectorSüreyya Duru, Remzi Jöntürk
Production companyDuru Film, Murat Film

Reactions

You can pick up to 3 reactions.

Cast

Also in the cast: Ahmet Turgutlu, Sezer Güvenirgil (Princess Yolanda)

Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Sword fights, raids on horseback and a hero out for revenge: Malkoçoğlu Krallara Karşı is Yeşilçam adventure through and through. Ali Bey, his village burned and his son abducted, riding out against Vlad the Impaler sets the stakes high from the first minutes. Cüneyt Arkın carries the action almost single-handed. The fight choreography looks a bit rough by today's standards, but the trap and captivity stretches keep the tension alive.

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Seeing Cüneyt Arkın on horseback, sword in hand, in black and white is still a particular pleasure for anyone who loves Yeşilçam's tales of heroism. The screenplay by Bülent Oran and Ayhan Başoğlu builds a plain revenge story: good and evil are clearly drawn, and loyalty and family ties come first. Yılmaz Köksal's Ejder brings a warm sense of comradeship, and the scenes shot at Mamure Castle in Anamur lend the film real texture. The Princess Yolanda thread feels rather familiar, yet the innocent enthusiasm of the period's adventure films is all there.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

The film opens with a burned village, a family killed and a child abducted, and there are plenty of sword fights and captivity scenes. That can be too much for young children. Older kids and adults will enjoy the adventure, and the grandparents will likely be glad to see Cüneyt Arkın in the saddle. The black-and-white picture may put some teenagers off at first, so a little patience helps.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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