Fikret Hakan

Fikret Hakan

Actor · died at 83

Profile

Age at death83
Birth dateApril 23, 1934
BirthplaceBalıkesir
DiedJuly 11, 2017
Place of deathKartal
ProfessionActor, Film director
Zodiac signTaurus

Filmography / Projects

Fikret Hakan — Biography

Given the name Bumin Gaffar Çıtanak at birth in Balıkesir on 23 April 1934, the actor took the stage name Fikret Hakan by court order once he entered cinema. Son of a literature teacher and translator father and a head-nurse mother, he grew up moving between Anatolian towns, worked as a young journalist and published short-story collections before turning to acting. He debuted on stage at the Ses Theatre from 1950 and moved into film in 1953 with Köprüaltı Çocukları, then rose over the following decade to become one of Yeşilçam's most sought-after leading men, winning Best Actor at the Golden Orange Film Festival more than once for his work in Keşanlı Ali Destanı, Ölüm Tarlası and Hasret. In 1970 he co-starred with Hollywood actors Tony Curtis and Charles Bronson while playing Colonel Ahmet Elçi in director Peter Collinson's You Can't Win 'Em All, then largely stepped away from film for a stretch to run boats in Marmaris. He returned to acting in the 1980s and regained wide popularity in 1990 playing Muzaffer Bey on TRT's Hanımın Çiftliği. Named a State Artist in 1998, he lost that title after a 2002 court ruling. Married four times, he had a daughter born outside marriage, and he died at 83 on 11 July 2017 while being treated for lung cancer.

Reactions

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Their work through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Turgut in Karanlıkta Uyananlar, the bell-maker Memo in Cemo: Fikret Hakan leads a political city drama full of taverns and striking workers, and plays the man of a rural love story adapted from Kemal Bilbaşar's novel. What counts, in my view, is that he carries both ends with the same weight; the filmography of Atıf Yılmaz, who directed Cemo, bears this variety out.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Takip is a straight chase: Fikret Hakan is the retired commissioner Hüseyin on the trail of escaped prisoners, with forest and bad weather making it hard. Vurguncular puts him inside the crime world instead, beside Yılmaz Güney, in a story of two friends pulled into gangster dealings. Watching him on the side of the law in one and of crime in the other shows his range in the genre.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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