Pardon

Pardon

Movie · 2005 · 9 people

Mert Baykal directed Pardon, a Turkish black comedy released on 4 March 2005 and running about ninety-nine minutes. The screenplay is by Ferhan Şensoy and adapts his own stage play Çok Tuhaf Soruşturma. Drawing on a real incident, it blends drama and comedy, and it was shot inside Sinop Prison.

The film tells the story of three close friends who are ordinary citizens. İbrahim, who did his military service very late, has come to flee wherever he sees an official uniform. That seemingly harmless phobia drags him and his friends into an unexpected chain of events. Caught at Muzaffer's home in Istanbul, İbrahim is taken into custody together with him, and Aydın, who runs a kiosk in Taksim, is questioned as well. The trio find themselves on a journey from courtrooms to a prison cell. Behind bars their minds stay outside, while those left outside slowly begin to chart their own paths. The cast includes Ferhan Şensoy, Rasim Öztekin, Ali Çatalbaş, Zeki Alasya, Erol Günaydın, Sermiyan Midyat and Bülent Kayabaş.

Critics have called it a thoroughly Şensoy film for its wordplay humour, the characters he calls "psychomic" and its heavy mockery of social, economic and political matters; one writer likened him to a Turkish Woody Allen.

DirectorMert Baykal
Pardon Pardon Pardon

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Cast

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Seeing Zeki Alasya, Erol Günaydın and Bülent Kayabaş in the same cast as Ferhan Şensoy feels like a heartfelt salute to the masters of comedy. Adapted from Şensoy's play Çok Tuhaf Soruşturma, its pun-laced humour will sound familiar to theatre lovers. My heart leans towards warmer stories, but there is a human touch in watching three ordinary friends dragged into misfortune by an innocent phobia. The sharp, at times harshly mocking tone, though, may tire an eye used to the gentler comedy of Yeşilçam.

History & Society Lens Asks about the period, the social background and what the work reflects.

Pardon uses black comedy to show the helplessness of the ordinary citizen before institutions. İbrahim, who did his military service very late and now flees anywhere he spots an official uniform, embodies an exaggerated but familiar state: the person who shrinks before authority. The chain from custody to court to prison feels like a local version of a Kafkaesque order. Shooting a story Şensoy drew from a real incident in Sinop Prison lends the atmosphere credibility. And while those inside keep thinking of the outside, those left outside slowly go their own way, which raises questions about friendship and loyalty. Its harsh mockery of social and economic realities sometimes crowds out nuance, but the film captures the anxieties of ordinary people.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Ferhan Şensoy's stage-born language is both the film's strength and its weakness. The wordplay jokes and the characters he calls psychomic rely on live give-and-take with a theatre audience, and on screen they sometimes feel like a filmed play. Mert Baykal's direction stays closer to recording the text than to turning it into cinema; where black comedy and drama intertwine the tone holds, but over ninety-nine minutes the rhythm rises and dips. Rasim Öztekin, Ali Çatalbaş and Sermiyan Midyat, on the other hand, bring the types to life. The Turkish Woody Allen comparison may be a stretch, but the film clearly has a voice of its own that is not easy to copy.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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