Paternity (Babalık)

Paternity (Babalık) (translated)

Movie · 1974 · 4 people

Melih Gülgen directed Babalık (Paternity), a 1974 Turkish drama and adventure film that moves through prison, revenge and murder. The screenplay is by Nurettin Erişen and Vural Pakel. Gülgen produced it himself under his Gülgen Film banner; it was shot in colour, runs 73 minutes and opened on 1 February 1974. Metin Bükey wrote the music and Mustafa Yılmaz was the cinematographer.

The story concerns a man who is set up. Murat, played by Cüneyt Arkın, is a hospital ambulance driver whose wages cannot keep his family. The lawyer Turhan (Turgut Özatay) proposes a robbery together, and Murat agrees out of need. The heist goes ahead, but Turhan breaks his word: he kills everyone else and escapes with the money. Badly wounded, Murat is caught by the police and jailed. Learning that Murat survived, Turhan wants to stop him speaking in court, kills his wife and takes his son Erkan in to raise as his own man. Years later he tries to use Erkan to get rid of Murat.

Aytaç Arman plays the grown Erkan and Levent Doğan the young one. Deniz Erkanat (Zeynep), Yeşim Yükselen (Turhan's mistress), Yaşar Güçlü (Turhan's man) and Kadir Kök (Nuri) are among the other cast members. The Turkish dubbing was done at Yeni Stüdyo.

DirectorMelih Gülgen
Production companyGülgen Film

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Through different eyes

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Robbery, betrayal, prison and revenge, all packed into a tight 73-minute Cüneyt Arkın film. The story sets up fast and Turhan's double-cross raises the tension early. The most interesting idea is the villain raising Murat's son as his own henchman; that's what creates the real pressure. Some scenes may look rushed and melodramatic today, but if you like pace you won't be bored.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

This film isn't one for family viewing. It is built on robbery, murder and revenge, with heavy events like a mother being killed and a child raised by the villain. The violence may frighten young children. It suits adults who enjoy old Turkish action films; put it on after the kids are in bed.

History & Society Lens Asks about the period, the social background and what the work reflects.

Through Murat, a hospital ambulance driver whose wages cannot support his family, Babalık takes up a theme common in 1970s Turkish cinema: poverty pushing an honest man into crime. That the man who talks Murat into the robbery is a lawyer also highlights the moral collapse of a profession society is meant to trust. Most interesting is how the film questions the idea in its title, fatherhood: does a child belong to whoever raises him? Yet, as the genre demands, these questions stay in the shadow of the revenge plot and are never explored in depth.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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