Waiting for Heaven (Cenneti Beklerken)

Waiting for Heaven (Cenneti Beklerken)

Movie · 2006 · 10 people

Cenneti Beklerken (Waiting for Heaven) is a 107-minute Turkish-Hungarian co-production shot in 2005 and released in Turkey on 15 December 2006. Directed and written by Derviş Zaim, it is a drama that drew attention for using miniature painting both as a side theme and as an influence on how the film looks. Serhat Tutumluer and Melisa Sözen share the leading roles.

Its hero is Eflatun, a miniaturist who has just lost his wife and son. The palace commissions him to paint a Western-style portrait of a rebellious prince, and he sets out for Anatolia to do it. The journey lets him show and develop his art and brings cultural riches, and it is also a test of whether he can bear his grief and return to life. Along the way he meets Leyla, a strikingly beautiful girl who draws him into passion and a very different adventure. The story is set in seventeenth-century Ottoman Istanbul.

The cast also includes Altan Erkekli, Numan Acar, Ahmet Mümtaz Taylan, Nihat İleri, Mehmet Ali Nuroğlu, Bülent İnal, Mesut Akusta and Ozan Güven. Zaim had earlier made Tabutta Rövaşata, Filler ve Çimen and Çamur; one critic judged this his most ambitious work and a film without the problems of the previous two.

DirectorDerviş Zaim
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Through different eyes

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

One critic called it Derviş Zaim's most ambitious work, and you can see why: Waiting for Heaven uses miniature painting not just as a subject but as a logic for the frame. The tension between a miniature tradition that refuses depth and the Western-style portrait mirrors Eflatun's grief rather beautifully. Serhat Tutumluer carries the film with an inward, restrained performance, while Melisa Sözen brings an unexpected warmth. Still, the road-movie structure turns episodic at times, and some stops repeat the same visual idea instead of moving the drama forward. Its formal courage outweighs its flaws, but it only opens up to a patient viewer.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film sets an argument about art in the middle of the seventeenth-century Ottoman world: the palace wants a rebellious prince painted in the Western manner. That small detail carries a large question — how a state wishes to see itself, and how far it is willing to adopt a foreign way of looking. The miniaturist Eflatun's journey into Anatolia also makes the distance between the capital and the provinces visible. Being a Turkish-Hungarian co-production suits this cross-cultural theme especially well. Its finest quality is treating the period not as a costume showcase but as a climate of ideas.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

Honestly, this one isn't my speed. A journey, a rebel prince, a mission from the palace — you expect adventure, but Waiting for Heaven is in no hurry at all: long scenes, even longer silences. The images are genuinely beautiful and the miniature look is a real treat for the eye. But if you want tension and pace, 107 minutes may feel long. Save it for a quiet evening.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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