Ms. Dila (Dila Hanım)

Ms. Dila (Dila Hanım) (translated)

Movie · 1977 · 11 people

Adapted from a work by Necati Cumalı, Dila Hanım is a Yeşilçam romantic drama from 1977. Orhan Aksoy directed from a script by Safa Önal, and İrfan Ünal produced it for Akün Film. Türkân Şoray and Kadir İnanır share the lead roles, and the film is counted among the best love stories of Turkish cinema and among the pair's finest work. It opened on 1 January 1978 and runs 86 minutes.

The story begins with the vow of revenge sworn by Dila Hanım (Türkân Şoray), whose husband was killed by Karadağlı Rıza over a land dispute. She does not know the killer. One day she finds a wounded man by a stream and helps him; he introduces himself as Yakup the miller. Without knowing he is really Rıza (Kadir İnanır), she falls in love with him, and he is deeply attached to her too. When the truth emerges, Dila Hanım must choose between avenging her husband as custom demands and giving up the love she cannot renounce. Erol Taş (Kara Haydar), Hüseyin Peyda (Kocabey) and Kadir Savun also appear.

Cahit Berkay composed the music and Kaya Ererez was the cinematographer. Filming took place in Nevşehir, in Cappadocia's Zelve Valley. A television series of the same name began in 2012, with Erkan Petekkaya as Karadağlı Rıza.

DirectorOrhan Aksoy
Production companyAkün Film

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Among the films Türkân Şoray and Kadir İnanır made together, Dila Hanım holds a special place. Adapted from a work by Necati Cumalı and scripted by Safa Önal, the story carries the full weight of a tragic conflict: a woman sworn to revenge who unknowingly gives her heart to her husband's killer. Cahit Berkay's music and the images shot in Cappadocia's Zelve Valley lend it a fairy-tale sorrow. Here again we see the secret the old masters knew: entrust the great emotions to the gaze of two strong actors.

History & Society Lens Asks about the period, the social background and what the work reflects.

At the heart of Dila Hanım lies the clash between custom and personal feeling. A land dispute turning into a killing shows how land and the code of custom can decide people's fates in rural life. The film seems to question an order that lays the burden of revenge on a woman's shoulders: the choice before Dila Hanım is as much social as it is personal. Adapted from Necati Cumalı's work, the story is a good example of how the blood-feud theme met melodrama in 1970s Turkish cinema. For today's viewer, though, the weight given to custom reflects a set of values that is very much open to debate.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

Dila Hanım is a powerful love story, but it involves a killing and revenge. It opens with a vow of vengeance and tells of a hard choice between custom and love. Grandparents will enjoy watching Türkân Şoray and Kadir İnanır again. For young children the subject may be too heavy. If you watch with teenagers, it is worth talking about custom and revenge afterwards.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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