The Dam (Baraj)

The Dam (Baraj) (translated)

Movie · 1977 · 9 people

Turkish cinema's Yeşilçam era produced Baraj in 1977, a film counted among its emotional dramas. It was directed by Orhan Aksoy from a screenplay by Safa Önal, with İrfan Ünal as producer and Akün Film as the production company. It reached cinemas on 1 October 1977 and runs about 92 minutes. Türkân Şoray, Tarık Akan and the Iranian actor Naser Malek Motiee play the leads.

The story is set between Nazım, a foreman at a remote dam construction site, and Aysel, who works in a brothel in Istanbul. They begin writing to each other through a newspaper's lonely-hearts column. Ashamed of his looks, Nazım puts forward Orhan, a handsome young worker at the site, in his place and sends Orhan's photograph. When Aysel comes to the site to meet her pen friend, things get tangled. At first drawn to Orhan from the picture, the young woman then comes to see Nazım's sincere and selfless love. The film asks whether a relationship that began with a lie can become real love.

Türkân Şoray plays Aysel, Tarık Akan is Orhan and Naser Malek Motiee is Nazım Usta, with Suzan Avcı as Melahat. The music is by Erkan Esenboğa and Cahit Berkay, and the cinematography by Erdoğan Engin. Naser Malek Motiee is also credited as Naser Malek Motiee.

DirectorOrhan Aksoy
Production companyAkün Film

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

A Yeşilçam drama from the pen of Safa Önal, pairing Türkân Şoray with Tarık Akan; it has a familiarity that warms the heart. Letters that begin in a lonely-hearts column, a shy foreman who sends another man's photograph in place of his own... The story carries one of literature's most touching themes, familiar since Cyrano, to a remote dam construction site. Nasır Melek's Nazım Usta is the quiet face of selfless love. And the question of whether a relationship begun with a lie can become real love still gives one pause today.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

The story carries a lovely message about love and sacrifice, but be aware: the female lead works in a brothel in Istanbul. That makes it unsuitable for watching with young children. It's about a love that starts with a lie, and it's an emotional, sad film. Fine for adults and older teens, and a good one to share with grandparents who love old Turkish films.

History & Society Lens Asks about the period, the social background and what the work reflects.

Baraj sets two lives on the margins of 1970s Turkey side by side: men working on a remote dam construction site and a woman living in a brothel in Istanbul. The lonely male world behind big construction projects and the fate of a woman society shuts out meet through a newspaper's lonely-hearts column, a detail that in itself says something about how people reached each other then. Staying within Yeşilçam's emotional-drama conventions, the film uses this social ground more as backdrop for a love story than as something to probe in depth. Even so, that backdrop is an interesting record of its time today.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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