Perfidious Byzantium (Kahpe Bizans)

Perfidious Byzantium (Kahpe Bizans) (translated)

Movie · 1999 · 18 people

Released on 21 January 2000, Kahpe Bizans ("Perfidious Byzantine") parodies the kitsch historical dramas of 1970s Yeşilçam as a Turkish comedy. Directed by Gani Müjde, who wrote the script with Kemal Kenan Ergen and Fatih Solmaz, it is a joint production of Özen Film, Arzu Film and Tükenmez Kalem. Over 2.5 million people saw it in Turkey, one of the highest-grossing films there.

The story begins with the Nacaroğlu clan, forced out of Australia by drought and kangaroo attacks, who follow a dog and find themselves in Anatolia under Byzantine rule. An oracle tells Emperor Illetyus (Mehmet Ali Erbil) that a child born that day will one day kill him, so he orders every newborn in the tribe slain. Süper Gazi (Sümer Tilmaç) asks his wife to take their children to safety, and she sets the triplets adrift on a river in three baskets. Years later, one sibling has grown up in the palace, one in the tribe and one on the river, each a hero of intrigues unknown to the others. The cast also includes Demet Şener (Emanuel), Ayşegül Aldinç (Teodora), Hande Ataizi, Cem Davran, Nurseli İdiz and Cem Karaca.

Uğur İçbak shot it; Mehmet Soyarslan and Ferdi Eğilmez produced it, with music by Uğur Dikmen, Mehmet Soyarslan and Cem Karaca.

DirectorGani Müjde
Production companyÖzen Film, Arzu Film, Tükenmez Kalem
Perfidious Byzantium (Kahpe Bizans) Perfidious Byzantium (Kahpe Bizans)

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Cast

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Kahpe Bizans is a parody of the kitsch historical Yeşilçam films of the 1970s, and for an eye raised on them, catching the references is a real pleasure. Triplets set adrift in baskets, siblings raised in the palace, in the tribe and on the river... the old formulas are cleverly turned inside out. Yet for those who love the innocence of those old films, the parody's sometimes loud, over-the-top humour may be too much. Cem Karaca appearing both in the cast and among the composers is a fine touch. Interest from over 2.5 million viewers shows just how strong nostalgia still runs.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Parody demands a close knowledge of the target genre's rules, and Gani Müjde and his co-writers clearly know the formulas of 1970s kitsch historical films. Genre clichés such as the oracle, the newborns ordered killed and the triplets set adrift in baskets are welded to an absurd opening, a clan driven out of Australia by drought and kangaroo attacks, to produce a deliberate chaos. Three siblings growing up in separate worlds opens the way to parallel storytelling, but rather than shaping that structure into a coherent rhythm, the film runs mostly on sketch logic and the gag rate rises and falls. Uğur İçbak's photography supports the parody's visual language. Reaching over 2.5 million viewers proves the genre's popular appeal; as cinema, it is a scattered but bold experiment.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

Kahpe Bizans can be a pick for laughing together as a family, with a few warnings. A dark idea like the emperor ordering every newborn killed, even when played as a joke, may upset young children. Most of the gags point back to old Yeşilçam films, so parents and grandparents will laugh more while kids may miss some jokes. Fine for teenagers and adults.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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